Street Arts
Whacking great big chunks of electric yellow sprawl chuckling across the sober streets of Vienna, lighting up the crisp, clean cityscape with an irreverent roar. Austrian artist Kryot has rinsed the cartoon like innocence of his bulging snapshots with a wonderfully incongruous sense of play and after years on the write, he has now developed a fascinating style all of his own. We spoke to him for a little Q + A
How strong is the graffiti street art movement in Austria and when in your opinion did it all begin?
I´d say there exists a small and very dedicated scene of (Graffiti)Writers here who developed their very own style and go out constantly In the case of “Street Art”, I only see a few people putting up their stuff in the cities over the past years. And some of those few have already stopped because they work in other fields now or galleries opened their doors for them. For me all started around 94/95 but the first Writers started out in Vienna in the mid/late 80ies. Then in the early 90’s pieces began to appear also in my hometown. As far as I can see the number of people involved in this movement didn´t change significantly over the past 10 years here. Of course some dropped out and some came in but the scene still remains relatively easy to overlook.
What themes would you say reflect street art in the big city?
The desire to be seen (the work). To get up. No limitations from others. Cause reactions.
Why choose the streets and not galleries?
Because of the very free and uncomplicated way to work in the street or urban space-Go out and do it! The gallery exhibit work is done under different circumstances. Both places can be challenging if seen as two separated worlds.
Are the authorities zero tolerant or do they show compassion?
Some force a zero tolerance policy like the national railway company but for example the city of Vienna seems to be a bit more relaxed with that theme. They might accept Graffiti and Street Art to a certain level as part of the cityscape. Generally most Austrians strongly respect and believe in authoritiy and if something looks suspicious to them they tend to call the police immediately. So if you don´t exaggerate and act with some awareness you can keep yourself more easily out of bigger trouble. But once you´re in trouble punishment can be really hard and you will have to face a trial in court. A few writers who were caught for massive tagging and train bombing in the 90’s even had to spend short spells in jail.
Your creations are abstract and rich in colour, what inspired this format?
Definitely based or inspired by the “classic stylewriting” I did for several years. Then I started to work more freely without limiting myself to writing 5 letters. Trying to develop a format which allows me to interact more with the given situation in the spot. My trip to Sao Paulo in 2002 heavily influenced me in the choice of colours. There I experienced the effect of strong colours used in dirty grey urban surroundings.
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Street Arts
LSD Magazine interviews Viennese Street Artist Kryot - Issue 7
Whacking great big chunks of electric yellow sprawl chuckling across the sober streets of Vienna, lighting up the crisp, clean cityscape with an irreverent roar. Austrian artist Kryot has rinsed the cartoon like innocence of his bulging snapshots with a wonderfully incongruous sense of play and after years on the write, he has now developed a fascinating style all of his own. We spoke to him for a little Q + A
How strong is the graffiti street art movement in Austria and when in your opinion did it all begin?
I´d say there exists a small and very dedicated scene of (Graffiti)Writers here who developed their very own style and go out constantly In the case of “Street Art”, I only see a few people putting up their stuff in the cities over the past years. And some of those few have already stopped because they work in other fields now or galleries opened their doors for them. For me all started around 94/95 but the first Writers started out in Vienna in the mid/late 80ies. Then in the early 90’s pieces began to appear also in my hometown. As far as I can see the number of people involved in this movement didn´t change significantly over the past 10 years here. Of course some dropped out and some came in but the scene still remains relatively easy to overlook.
What themes would you say reflect street art in the big city?
The desire to be seen (the work). To get up. No limitations from others. Cause reactions.
Why choose the streets and not galleries?
Because of the very free and uncomplicated way to work in the street or urban space-Go out and do it! The gallery exhibit work is done under different circumstances. Both places can be challenging if seen as two separated worlds.
Are the authorities zero tolerant or do they show compassion?
Some force a zero tolerance policy like the national railway company but for example the city of Vienna seems to be a bit more relaxed with that theme. They might accept Graffiti and Street Art to a certain level as part of the cityscape. Generally most Austrians strongly respect and believe in authoritiy and if something looks suspicious to them they tend to call the police immediately. So if you don´t exaggerate and act with some awareness you can keep yourself more easily out of bigger trouble. But once you´re in trouble punishment can be really hard and you will have to face a trial in court. A few writers who were caught for massive tagging and train bombing in the 90’s even had to spend short spells in jail.
Your creations are abstract and rich in colour, what inspired this format?
Definitely based or inspired by the “classic stylewriting” I did for several years. Then I started to work more freely without limiting myself to writing 5 letters. Trying to develop a format which allows me to interact more with the given situation in the spot. My trip to Sao Paulo in 2002 heavily influenced me in the choice of colours. There I experienced the effect of strong colours used in dirty grey urban surroundings.
READ THE FULL INTERVIEW FREE - LSD MAGAZINE ISSUE 7
Open publication - Free publishing - More lsd magazine
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Tearing a finer shade of gobsmacking into some seriously stunning walls, Australian born, Glasgow based artist Smug is a man on absolute fire. Harnessing phenomenal can control into outrageously well defined characters bursting with life, love, laughter,...
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Lighting up the sun dyed streets of Sao Paolo with the rich recesses of imagination comes the work of Brazilian artist, Magrela. Taking the mind bending characters of her ‘Vomitos’ series through a spiralling journey into textured layers of psychologically...
- Lsd Magazine Interviews - Milo Tchais (issue 5)
Brazillian Londoner Milo Tchais’s rhapsodies of swirling form and joyous colour have been setting the streets of London and the wider firmament alight for many a year now. Synthesising radiant elements from the natural world with the gently distorting...
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Can 2 has been styling the wild across the four corners of the world for over two decades now. With a style that comes fat, furious and bursting with an edgy joy and charisma, his pieces fuse the old, the new and the hip hop tradition into an dazzling...
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All City Writers is a new book set to drop next month which explores the Writing movement, focusing particulary on the process of its exportation from New York to all of Europe during the 80's. The first part of the book analyzes how graffiti in media...