Street Arts
If you peer past the stereotypes, endless propaganda on both sides of the divide and the dark theocratic veil of Iran, it won’t be long before you touch both the not so silent underground and the extraordinarily nuanced pathos of Icy and Sot’s art. Infusing the international visual language of global street art with a deeply personal and targeted meaning, their spectacular range of work takes on the political, the individual and the universal as haunting flashes of innocence sweep through bold statements of identity, freedom and social justice. Whether it be sperbly layered stencils rendering an almost photographic sense of fleeting memory, silent screams of humanity, intensely political canvases beckoning a new dawn of cultural freedom or quick cheeky pastes in Tehran’s streets, they have truly made the medium their own and made the stencil and the can sing their own biting refrain. They were open enough and brave enough to speak to LSD, although we did keep our direct political questions to a minimum. If its a tale of resistance and the triumph of the spirit you’re after - the art does all the talking you need.
Tell us a little about Tabriz and the creative scene there
Its a city in the north-west of Iran, and kinda boring - there really isn’t much going on here to be honest. It does have really beautiful countryside and landscapes surrounding it, but all the creativity is mostly focused on the traditional art fields
How did you first develop an interest in art
It started with our career in skateboarding, especially Sot’s. We used to watch skate videos and play skate games all the time, and we saw graffiti and stencils on the walls which initially sparked our interest. We then started with smallthings like stickers and small amateur stencils, and we began spraying them and posting them up on our spots and gathering places.
How did being brothers and working together influence the development of your art
We were and are best friends, and when we started, there were very few people (most of whom were in our circle of friends) who knew what graffiti, stencil and the whole street culture was. Being brothers helped us a lot as we did everything together – drinking, hanging out, stencilling – everything and overall we just understood each other.
When did you first begin to cut stencils and how differently did you have to approach that from canvas pieces
A few years ago when we began thinking about our first exhibition and we started sophisticating our works around 2008.
Is your art seen as a political statement in Iran
Well it is, even our non-political works are considered offensive to the government and it’s also illegal like everywhere else except for the glaring fact that it’s much more dangerous for us here as the accusations potentially levelled at you go way beyond vandalism and criminal damage, so the risks are far greater
How do the public respond to your work and how does that differ with the reaction of the authorities
Graffiti and stencil has a long way to go before it becomes a part of our culture, and people realise what it really is. because of the lack of exposure here in this field, people aren’t familiar enough with these sorts of things., maybe if a pedestrian passes by a graffiti or stencil they might not know what it is or they might not have any interest in it, or maybe in some cases they might even wipe it off. For an example Icy once did a wheatpaste, went away for a few minutes just for it to dry off and when he came back a guy was tearing it off. But despite all of this it does now and again impact and influence some people on very rare occasions.
- Lsd Magazine Interviews Blek Le Rat (issue 9)
His art transcended barrier after barrier, always one step ahead of originality’s curve. Everymen melted into pathos, taboos were broken, the halos were rattled atop cultural paragons and sepia monochromes breathed life into the rat race. Piercing...
- Lsd Magazine Interviews - Eine (issue 5)
Well fuck us sideways with a crate of spray paint but the unthinkable has happened. David Cameron, British Prime Minister and Tory - yes TORY leader shook hands with President Obama on his first official visit to Washington and proudly handed over a painting...
- Dave The Chimp #notacrime London Mural
The ever changing Village Underground wall gets a fresh new coat of paint and it's first mural of 2016. Infamous street artist Dave the Chimp brought his celebrated cheeky Human Beans characters to the famed Shoreditch wall on Holywell Lane last...
- Icy&sot "portrait Of Freedom" Mural For Project M/7 Urban Nation, Berlin
If you missed our previous post here, we have been in Berlin the last couple of days for the latest version of Urban Nations Project M/7 which saw a number of important Brooklyn street artists present a diverse and stunning collection of portraits in...
- Blek Le Rat In London
Considered to be the father of stencil street art, Blek Le Rat (aka Xavier Prou) has had a profound influence on today’s current crop of street artists. Almost all of whom arrived a whole generation after Blek started hitting the streets of Paris back...
Street Arts
LSD Magazine Interviews Iranian Street Artists - ICY & SOT
If you peer past the stereotypes, endless propaganda on both sides of the divide and the dark theocratic veil of Iran, it won’t be long before you touch both the not so silent underground and the extraordinarily nuanced pathos of Icy and Sot’s art. Infusing the international visual language of global street art with a deeply personal and targeted meaning, their spectacular range of work takes on the political, the individual and the universal as haunting flashes of innocence sweep through bold statements of identity, freedom and social justice. Whether it be sperbly layered stencils rendering an almost photographic sense of fleeting memory, silent screams of humanity, intensely political canvases beckoning a new dawn of cultural freedom or quick cheeky pastes in Tehran’s streets, they have truly made the medium their own and made the stencil and the can sing their own biting refrain. They were open enough and brave enough to speak to LSD, although we did keep our direct political questions to a minimum. If its a tale of resistance and the triumph of the spirit you’re after - the art does all the talking you need.
Tell us a little about Tabriz and the creative scene there
Its a city in the north-west of Iran, and kinda boring - there really isn’t much going on here to be honest. It does have really beautiful countryside and landscapes surrounding it, but all the creativity is mostly focused on the traditional art fields
How did you first develop an interest in art
It started with our career in skateboarding, especially Sot’s. We used to watch skate videos and play skate games all the time, and we saw graffiti and stencils on the walls which initially sparked our interest. We then started with smallthings like stickers and small amateur stencils, and we began spraying them and posting them up on our spots and gathering places.
How did being brothers and working together influence the development of your art
We were and are best friends, and when we started, there were very few people (most of whom were in our circle of friends) who knew what graffiti, stencil and the whole street culture was. Being brothers helped us a lot as we did everything together – drinking, hanging out, stencilling – everything and overall we just understood each other.
When did you first begin to cut stencils and how differently did you have to approach that from canvas pieces
A few years ago when we began thinking about our first exhibition and we started sophisticating our works around 2008.
Is your art seen as a political statement in Iran
Well it is, even our non-political works are considered offensive to the government and it’s also illegal like everywhere else except for the glaring fact that it’s much more dangerous for us here as the accusations potentially levelled at you go way beyond vandalism and criminal damage, so the risks are far greater
How do the public respond to your work and how does that differ with the reaction of the authorities
Graffiti and stencil has a long way to go before it becomes a part of our culture, and people realise what it really is. because of the lack of exposure here in this field, people aren’t familiar enough with these sorts of things., maybe if a pedestrian passes by a graffiti or stencil they might not know what it is or they might not have any interest in it, or maybe in some cases they might even wipe it off. For an example Icy once did a wheatpaste, went away for a few minutes just for it to dry off and when he came back a guy was tearing it off. But despite all of this it does now and again impact and influence some people on very rare occasions.
READ FULL ICY & SOT INTERVIEW
LSD Magazine Issue 7
Open publication - Free publishing - More lsd magazine
- Lsd Magazine Interviews Blek Le Rat (issue 9)
His art transcended barrier after barrier, always one step ahead of originality’s curve. Everymen melted into pathos, taboos were broken, the halos were rattled atop cultural paragons and sepia monochromes breathed life into the rat race. Piercing...
- Lsd Magazine Interviews - Eine (issue 5)
Well fuck us sideways with a crate of spray paint but the unthinkable has happened. David Cameron, British Prime Minister and Tory - yes TORY leader shook hands with President Obama on his first official visit to Washington and proudly handed over a painting...
- Dave The Chimp #notacrime London Mural
The ever changing Village Underground wall gets a fresh new coat of paint and it's first mural of 2016. Infamous street artist Dave the Chimp brought his celebrated cheeky Human Beans characters to the famed Shoreditch wall on Holywell Lane last...
- Icy&sot "portrait Of Freedom" Mural For Project M/7 Urban Nation, Berlin
If you missed our previous post here, we have been in Berlin the last couple of days for the latest version of Urban Nations Project M/7 which saw a number of important Brooklyn street artists present a diverse and stunning collection of portraits in...
- Blek Le Rat In London
Considered to be the father of stencil street art, Blek Le Rat (aka Xavier Prou) has had a profound influence on today’s current crop of street artists. Almost all of whom arrived a whole generation after Blek started hitting the streets of Paris back...